160 Hz peaking eq

Magnitude response at 48 kHz

Every vertex is 20·log₁₀|H(e^jω)| evaluated on the unit circle — not a sketch of the filter's shape. The faint traces behind it are the same corner at every Q in the sweep below.

Coefficients, at every sample rate

The cookbook computes w₀ = 2πf₀/F_s, so the same filter is a different set of numbers at every rate. Rates whose Nyquist limit is at or below 160 Hz are absent because the filter does not exist there — equivalently, the f₀/Nyquist column never reaches 100%. That is why this table is 8 rows and a 20 Hz page is 8.

const float b0 = 1.00732364f, b1 = -1.98484759f, b2 = 0.97795936f;
const float a1 = -1.98484759f, a2 = 0.98528300f;   // a0 == 1

What word length this filter survives

The fixed-point rows round all five coefficients to one shared scale, which is what a q15/q31 biquad section does with its post-shift.Pole radius is solved from the quadratic, not taken as √|a₂| — once rounding pushes the poles onto the real axis those two disagree, and the convenient one reports a comfortable margin on a filter that has already left the unit circle. Error is the worst deviation from float64 across frequencies where the response is within 40 dB of its own peak; below that it is measuring the −200 dB floor.

What Q does at 160 Hz

f₀ does not move with Q — the −3 dB point does. They are the same frequency only at Q = 1/√2, which is why a Butterworth corner is the one people quote and why every other Q surprises somebody.

What gain does at 160 Hz

A peaking filter puts its full gain at f₀ and returns to unity at both ends of the spectrum.

Questions this filter answers

The neighbouring corners

One third-octave either side, and the same 160 Hz corner as every other filter type.

• 125 Hzpeaking eq
• 200 Hzpeaking eq

• Low-pass160 Hz
• High-pass160 Hz
• Band-pass160 Hz
• Notch160 Hz
• All-pass160 Hz
• Low shelf160 Hz
• High shelf160 Hz

Method and limits. Coefficients follow the RBJ Audio EQ Cookbook, the bilinear transform of the analog prototype prewarped so the corner lands exactly on f0 — which is why +6.00 dB at 160 Hz holds at every sample rate in the table rather than only at low f0/Fs. Shelves fix the slope at S = 1, matching Web Audio's BiquadFilterNode, so Q is not read for those two types. Pole and zero radii are the roots of the quadratic, not sqrt(|a2|). The fixed-point rows model a single shared coefficient scale and no other quantisation: they say nothing about signal-path headroom, limit cycles or the accumulator width your implementation uses, all of which can make a filter that passes this table still misbehave. Nothing on this page is fetched or estimated — it is solved from the type and the frequency in the URL.